A truly contemporary artist, Franky Wah’s music epitomises the exhilarating power of club culture. Born and raised in Yorkshire, in the north of England, Franky has an intuitive understanding of emotion, dance floor energy and catchy hooks culminating in a sound that resonates with both the underground and commercial ends of the dance music spectrum. A series of chart-topping releases have catapulted him into the public eye, where he’s picked up a dedicated fanbase, as well as backing from his peers and idols. This includes a glittering endorsement from Pete Tong who tipped Franky as one of his Future Stars for 2020 and regular spins on Radio 1 from Annie Mac, Danny Howard and Mistajam.

As a youngster Franky caught the music bug through west coast hip hop, later discovering artists like Roger Sanchez and Paul Johnson, and falling head over heels for dance music. By his late teens he was spending all his spare time learning how to make music on a ‘crappy’ laptop in his garden shed. From there he progressed to the famous Music Factory in Rotherham before finally setting up his own studio in Doncaster, where he has been cooking up his recent hits. 

Franky’s breakthrough began with ‘Change My Mind’, which ended up in the hands of ViVa Music boss Steve Lawler – though he had no idea who’d made it until he did a call out on the radio, which Franky heard and responded to immediately. That fateful moment led to the success of ‘Get Me High’, a wistful, breaks-driven cut that he made just for himself with no intention of sending it out. By January 2019 ‘Get Me High’ had been released and spread like wildfire, making it to the No.1 spot in Beatport’s Top 100. The follow up ‘Words’ was signed to Ministry Of Sound, achieving equal success thanks to its garage-influenced two-step beats and mesmerising, trance-esque synth melody. Support came from far and wide, including Tale Of Us, Solomun and trance king himself Tiësto. After that came ‘Hide’ featuring stirring vocals from singer Robinson and his recent link up with Jessie Ware, entitled ‘Time After Time’. Each release has made its way into the Top 5 on Radio 1’s Dance Chart, breaking into Beatport’s Top 10 on several occasions, too. He’s also signed a full EP to hugely influential techno powerhouse Afterlife, becoming one of a handful of British artists to appear on the label. 

Over the past 12 months, each success has spurned Franky on to work harder, spending hours in the studio and building up a huge store of unreleased material. The culmination of his recent endeavours is a ‘mixtape’ album full of brand new tracks, which come separately and in a mixed format. From edits of Moby and Olive to shadowy 2-step compositions, pitched down vocals, classic soulful piano-led house and spine-tingling moments of euphoria, Franky’s multi-faceted production prowess is revealed in all its glory on the mixtape. 

He set up his own label Shen in 2019, launching with a two-track EP of his own music: ‘Nightfall’ and ‘Next Life’, two tracks that further demonstrated his confident grasp of varying styles. The two cuts, plus support from luminaries such as Sasha and contemporary tastemakers like Adriatique, got the label off to a flying start. 

With years of hard work already behind him, Franky’s is by no means an overnight success and he is intent on achieving longevity while maintaining his credibility. With his natural talent, armory of dance floor weapons, positive attitude and high work ethic, there’s no doubt that Franky Wah will achieve an enduring legacy and a whole lot more…